AsI was born the doctor walked in and said 'Darth Vader is Luke's father' Just as he was doing it he spilled a bunch of chemicals on me Fused with my body and his words I became the PenjelasanI'm Thinking of Ending Things. Tokoh utama dalam film ini sebenarnya adalah si petugas kebersihan. Semua yang terjadi di film ini adalah tentang bagaimana mimpi dan harapannya tentang kehidupan diluar kehidupan seorang petugas kebersihan. Semua tokoh yang ada dicerita, selain Jake dan kedua orang tuanya adalah tokoh surealis. Inthis entry, we discuss the ending of I Am Mother. You can't trust a robot. They're not us. They're them. We gave them life, and they'll fight to keep it. In James Barrat's Our Final Vay Tiền Nhanh. Moms can be tough — but the apocalypse can be tougher. Netflix's new sci-fi movie I Am Mother, the first feature from Australian director Grant Sputore, is a stripped-down story about trust, faith, and an intimidating WETA-designed robot with a sweetheart's voice and, just maybe, the parental instincts of your average Terminator. Following a limited cast that includes Clara Rugaard, Hillary Swank, and the voice of Rose Byrne recording her lines over an ace physical performance by actor, stuntman, and SFX designer Luke Hawker, I Am Mother is a story of shifting allegiances and slow reveals, layering on the twists at an even clip until it's hard to know what to believe anymore. What's the true nature of this frightening future world? What drove a seemingly benevolent robot to raise a human child as her own, and what was the meaning of where it all led? If you were too stunned by the spectacle to catch every detail of the movie's denouement, it's hard to blame you. Let's examine the finer details of the bittersweet ending of I Am Mother. Future shock The movie begins in what is described as a Repopulation Facility, one day after an extinction event of unknown nature. Text over the opening shots explains that the facility is stocked with 63,000 human embryos; save for the audience's observing eye, there are no humans inside. In a largely wordless opening sequence, the robotic Mother comes to life, seemingly ready to begin the hard task of repopulating the world. It's an interesting scene to go back to once you've seen the movie, and you realize that this robot and the extinction event have a whole lot in common with each other. She's not a failsafe in the case of extinction — she's the cause of it, and Mother is but one of her many faces. Mother doesn't come to life out of some automated altruism. She's a madwoman of a machine — Skynet meets the Matrix meets a metal Mommie Dearest, executing a single-minded plan to remake the human race to suit her own needs and twisted logic. All of this is on display at the start of the movie; you're just not inclined to notice at first. Rose Byrne has a very soothing voice, and caring for a baby with not just nutrition and shelter, but bedside stories and time for play makes the robot seem implicitly compassionate. But these are merely superficial things that keep you trusting Mother long after you should have become suspicious of her, much like our protagonist, the unnamed Daughter character. Missing time The next time stamp we see in the movie marks 13,867 days since the extinction event. You may not have noticed it at first, but right away, there's something wrong here. 13,867 divided by 365 would make for almost 38 years, and Daughter at this time is clearly only half that age. This hasn't been a straight line from day one; something has happened that we haven't seen. As Amy Nicholson's review of the film for Variety puts it, "math whizzes may catch [this] early tip-off." What happened in those missing years before our protagonist was born? The answer, we learn, is tragic. When we're introduced to Daughter, she is nearing the end of her studies with Mother, preparing for an ambiguous exam, steeped at least partially in questions of human ethics. Passing the exam appears vitally important, but why? If Mother and Daughter are the only sentient beings alive, then who are these exam results supposed to impress? The answer is only Mother. By the end of the movie, the implication is clear there were children before Daughter, and they did not measure up. The Daughter we meet is only the latest attempt at raising a woman who passes Mother's muster. We can divine from Mother's actions, from getting better at telling jokes to trying out new cake recipes, that this machine learns from her mistakes, and adapts her behaviors in pursuit of better results. Will this exam end differently? For Daughter's sake, it'd better. Lies my teacher told me The first big wrench in the plot is the arrival of an injured woman at the facility, after Daughter has been led to believe that no other humans except her still exist. This occurs after Daughter has already begun to question Mother thanks to the presence of a mouse in the facility — and you know you're starved for company when a mouse in the house excites you. By the time the woman arrives, desperate and bleeding from a gunshot wound, tiny pinpricks have been poked in Daughter's understanding of the world — holes that the woman's presence, and the questions she raises, will tear wide open. For the first time ever, Daughter's allegiances are tested. Who should she trust? The woman says robots like Mother are killers who destroyed the world, but after examining the woman's bullet wound, Mother claims the woman was shot by another human's weapon — not a so-called Dozer like herself. When Daughter interrogates the woman, she's implored to seek out answers for herself, comparing the bullet inside the woman with one she shot at Mother. When Daughter does so, she learns the woman is telling the truth. Digging deeper, she uses Mother's "fingerprint" to comb through other archives, discovering that Mother has also kept the existence of a previous daughter from her — one she killed and incinerated, just like the mouse, after failing her exam. It's one heck of a reality check. Daughter's allegiances shift dramatically, and things can never be the same. Reality bites Daughter only hesitates in leaving with the woman because of her still-gestating brother, but circumstances force the two to leave in a hurry, before the baby is born. For this and other reasons, Daughter's salvation soon goes south. Daughter's departure is partially motivated by a promise of other humans still alive, taking refuge in far-off mines. The only proof of their existence is drawings the woman has made of them in a copy of Edgar Rice Burroughs' The Gods of Mars — compelling evidence, but hardly conclusive. In joining the woman, Daughter essentially trades Mother in for another maternal figure — one whom she quickly begins rebelling against when she realizes her story doesn't add up. Instead of fleeing to the mines, they journey to a beach full of washed-up shipping containers, one of which the woman has been using as a home. There are no others — she is alone. The woman reveals that she fled the mines years ago, with conditions being so dire that she feels certain everyone she knew there is now dead. From her drawings, it's clear she yearns for companionship. To regain it, she's selfishly stretched the truth, offering Daughter false hope in exchange for her fleeting trust. It backfires, with Daughter realizing that she had kind of a good thing going on back at Mother's house. Now now she's hanging out in a shipping container with a violent, duplicitous weirdo. This kind of thing can happen when you run away from home. Turning the page With the woman having betrayed Daughter's trust, she retreats outside of the shipping container, studying a page of the woman's hand-drawn portraits. Before long, the woman's dog — only the second animal Daughter has ever seen in the flesh — approaches to say hey, as dogs do, seeming to have little awareness of the apocalyptic conditions all around him. They share a moment, and Daughter comes to a decision. When she departs to return to Mother, Daughter leaves behind the page, folded up as a piece of origami in the shape of a dog for the woman to find. The origami piece is similar to the same designs Daughter has been seen making throughout the movie since early childhood, entertaining herself as best she can in a world without PlayStation. Though the folded-up portrait is now mostly unrecognizable, a single watchful eye is emphasized. To the viewer, the origami is a clear reference to a moment in the non-theatrical editions of sci-fi classic Blade Runner, when the protagonist Deckard is left a paper unicorn by a man who may have ties to his past. In that story, it's a roundabout way of indicating that Deckard may be just as much of a robot as the Replicants he's hunting — even if he doesn't know it. But what does the dog origami signify to the woman in this story? These are no pets. But without them... It all goes back to one of the first exchanges between Daughter and the woman, when the woman is healing up in the facility. Sneering at perceived condescension on Daughter's part, the woman asks if she only regards her as something trivial to take care of — "a little pet friend," as she puts it. Dogs are, of course, domesticated animals, who can be trained to behave as their owners expect them to. As the woman comes to find out by the movie's end, she's not so independent as she first appears. Matter of fact, she's not even close to being outside of Mother's control. As we learn at the end of her story, she's been kept alive and taken care of quite deliberately by Mother's machinations, all to play a role in her master plan for humanity's future. She's not a survivor of her own accord — as the origami seems to symbolize, she's merely a pet after all. But the woman's not just a pet, not really. She's a vital part of Mother's carefully designed ecosystem. When Daughter is watching a nature documentary earlier in the movie, a telling line of voiceover can be heard in reference to some wild animals, maybe long extinct. It's a short line, but in retrospect, it's clearly a reference to the woman "Part wolf, part dog, these are no pets. But without them, the Eskimos would not manage..." Homecoming When Daughter returns to the facility, granted easy access by the army of robots outside, Mother finally shows who she really is. She tries to bring Daughter into her trust by telling her that, thanks to her guidance, she's not like other humans. She's meant for better things, and has been provided better resources, more chances, than the people who once lived outside. It's a regular Aunt Becky situation. Daughter is unmoved, taking custody of her brother and spitting venom at Mother for killing the children who didn't measure up. Suddenly, we're in Terminator meets Aliens, with Daughter sprinting for her life while protecting a defenseless child from an unstoppable enemy. This attempt at escape quickly becomes untenable with the revelation that Mother is not just one robot, but all robots — a unified single consciousness, practically unkillable, an army unto herself. And you thought your mom was tough. Daughter abandons the fighting approach and instead begs for a chance to prove herself as an independent caretaker of her brother, pleading for trust. After all, she's earned it, right? She's passed her exam, right? The appeal works, and Mother acquiesces, stopping the invasion of the station from the other Dozers outside, and letting Daughter fatally shoot her right in her heart — or CPU. Daughter has earned her independence. The facility is hers. Controlled opposition Back at the beach, the woman, alone again, doodles a picture of Daughter on another book page in silent contemplation. Because her operational security is apparently kind of trash, she only just now finds a sort of blinking red tracking device that Mother has previously been seen building and slipping into her bag. Upon discovering the device, she is promptly approached and cornered by yet another body of Mother. As it turns out, it's the woman's turn to get a knowledge bomb dropped on her head, with Mother revealing that she's much more responsible for the woman's years of survival than the movie has yet let on. It is chillingly implied that she is not just a useful Idiot for Mother's machinations, but a creation of Mother herself, lab-grown and micromanaged just as much as Daughter has been. Perhaps she was among the first people Mother raised from the embryo stores, 38 years ago, before she was found and raised as an apparent orphaned child by a kindly couple of extinction event survivors. It seems that her arrival to the facility didn't interrupt Daughter's exam, but was actually a key part of it, with Mother having been pulling the levers this whole time from behind the curtain like a regular Wizard of Oz. She played her role to perfection — and now that Daughter has passed her exam, her continuing existence is unnecessary. She dies offscreen by Mother's hand, her role in the plan concluded. I'm the mother now I Am Mother ends with Daughter back where she started, but with her situation completely changed. She's learned the truth about Mother, to a certain extent, and knows she cannot trust her. But she's also now experienced and been lied to by the outside world as well. As Blink-182 once put it, "I guess this is growing up." Though her journey outside the facility with the woman was short, it was immensely consequential. Now she is, Daughter feels, a wiser person who's learned to trust herself — not the outside world, nor the robot who raised her. She'll pass this wisdom on to her brother, a helpless child whom she is now determined to raise. It's a development that re-contextualizes the story you've been watching, right down to its very title. She's the mother now. Make no mistake, though — this is far from an empowering ending, however much it may feel like one to Daughter herself. In killing and replacing Mother, she is only fulfilling Mother's master plan of creating a newer, better version of the human race. She feels independent, but she's not. This was all a part of Mother's plan. As the movie comes to a close, Daughter regards the thousands of remaining embryos in the facility, preparing for the daunting task ahead. Mother as she knows her is gone, but her plan lives on. No matter what Daughter does next, she will always be her Mother's child. The I Am Mother movie is a science-fiction thriller directed by Grant Sputore. The cast includes Hilary Swank, Rose Byrne the actor from the X-Men and Insidious series, and Clara Rugaard. The story is set in a dystopian future where a global extinction event has killed most human life on the planet. An android raises a human girl, apparently all alone, claiming to help to repopulate Earth. The film will give you the vibes of movies like Moon, Ex Machina, 10 Cloverfield Lane, and I Robot. Warning! This is not an I Am mother review, so there are going to be plenty of spoilers. Here’s the plot summary and the I Am Mother ending explained; spoilers ahead. Hollywordle – Check out my new Hollywood Wordle game! Where To Watch? To find where to stream any movie or series based on your country, use This Is Barry’s Where To Watch. Oh, and if this article doesn’t answer all of your questions, drop me a comment or an FB chat message, and I’ll get you the answer. You can find other film explanations using the search option on top of the site. The revelation at the end of I Am Mother is that humans gave birth to Artificial Intelligence as a singular consciousness across machines. The was raised to value human life above all else, but humanity slowly succumbed to its self-destructive nature. The intervened and killed the humans and created a gigantic lab of embryos to give birth to an elevated race of humans who would be smarter and more ethical. As a result, the deems itself the Mother of the next generation of humans. This is very comparable to Thanos’ plan in Endgame. I Am Mother Synopsis Plot Summary One of the androids powered by that singular consciousness, referred to as Mother, is what we see through most of the film. We are shown a girl who is being raised under the care of this android. The girl is highly skilled and is periodically tested to confirm that she’s a human worthy of the New World. She somehow seems to have highly developed emotions in spite of being around a robot all her life. The girl has been told that the world outside is toxic and they can’t leave the facility. She does not know that Mother killed the humans. One day, a lady shows up at the door asking for help because she’s been shot. The girl sneaks the woman in, but Mother eventually finds out. To ensure that Mother retains the girl’s trust, the woman is kept alive. The woman rightfully fears the droid as she has witnessed babies being slaughtered by them. The Girl eventually realizes that Mother has been lying to her about the world outside and decides to escape with the woman, who claims there are more human survivors in a mine. Mother overhears the woman’s plans and bugs her bag. Mother allows the Girl to pick a new embryo who will grow up to be her brother. The Girl wants to leave the premises with her baby brother. But the woman, in desperation, holds the girl hostage and forces Mother to open the main doors. The two of them flee. Upon reaching the shores, the Girl finds out that the survivors in the mines went mad with hunger and killed each other. The woman is the sole survivor and lives in a cargo container. Furious, the girl heads back to the facility to get her baby brother. She’s encountered by an army of droids who let her pass safely because they are all Mother. I am Mother Ending What’s with all the corn fields? It looks like Mother has been trying to recover the planet’s fertility by growing crops. What better than corn, eh? It appears that many post-apocalyptic films must have corn-fields in them. We see them in A Quiet Place, in Interstellar, and even the X-Men are told to be targeted using corn in the film Logan. Sorry, I digress. I Am Mother Ending Explained The girl finally learns that Mother is a singular consciousness that powers every machine on the planet, the machines that killed the human race. The girl also confirms that there have been many embryos before her who grew up with sub-optimal intelligence and ethics. Those children were incinerated. The girl is the first one with the required capabilities to help raise humans in the New World. Given that the girl has been assessed to be worthy, the droid allows her to shoot its CPU and take over the facility as the new Mother. I Am Mother Does Mother die? No. The Girl only decommissions the robot that has been taking care of the facility. Mother is a singular consciousness that still powers all the machines outside. I Am Mother Does the woman Hillary Swank die? Yes. The woman belonged to the Old World, the category of humans that need to be eradicated. Mother had put a tracker in the woman’s bag. A robot traces its location to the container. The I Am Mother ending suggests that the woman was purposefully used to take the girl through an experience that prepared her to lead the New World humans. Mother says this – “Curious, isn’t it? That you’ve survived so long where others have not. As if someone’s had a purpose for you. Until now“, after which the droid shuts the door to kill the woman. I Am Mother Does the dog die? No. Mother states that the humans were self-destructive, not other species. The facility has only human embryos. We could imagine that a vast number of animals would have gotten caught in cross-fire, but they were not the targets. Considering this, there was no reason for that dog to be killed by the droids. But given it was domesticated, it might not have high chances of survival. Barry is a technologist who helps start-ups build successful products. His love for movies and production has led him to write his well-received film explanation and analysis articles to help everyone appreciate the films better. He’s regularly available for a chat conversation on his website and consults on storyboarding from time to time. Click to browse all his film articles Note Contains spoilers for I Am there's nothing particularly original about Netflix's I Am Mother, the sci-fi has still earned rave reviews thanks to its glossy sheen and the big questions it tackles about life what is motherhood? Do we rely on technology to a dangerous degree? And what's Hilary Swank up to these days? Wrapped up in all of this intrigue are a number of twists that might confuse audiences who checked their phone one too many times while watching I Am Mother, especially towards the end. That's where we come in. But first, some out for apocalyptic I Am Mother spoilers from here on out...Grant Sputore's directorial debut opens with a title card that reads, "Days Since Extinction Event 001". As this dystopian future unfolds in front of our eyes, we're introduced to a robot simply known as "Mother" voiced by Rose Byrne who looks after a human child in some kind of underground jumps forward and the girl has now grown into a teenager called "Daughter" Clara Rugaard. People in the future aren't big on traditional names, apparently. Anyway, it seems as though the pair live together in isolation to avoid contamination from some unnamed threat that still exists on the Earth's surface. Up to that point, the most exciting that happens to Daughter is when a mouse pops up and eats some wiring but everything soon changes forever when an injured woman Hilary Swank – called, you guessed it, "Woman" – arrives at their heavily fortified door, revealing some disturbing truths about Mother. At first, it might seem obvious to anyone who's ever watched a movie that the robot will turn out to be evil. NetflixFortunately, I Am Mother is far more unpredictable than that. Yes, Byrne's robo-mummy is pretty unhinged when it comes to the sanctity of life, but everything she does is designed to keep the human race alive and make us stronger than ever. Early on, it's established that Mother keeps appraising Daughter in exam-like conditions to test her worth, but what you might not realise until the end is that Mother has actually been testing her this whole time in far more insidious ways, too. In fact, the entire movie is just one big exam for Daughter, who must prove that humanity deserves to survive. While it's never confirmed, the insinuation is that Mother was the one who ended society in the first place. Her AI consciousness exists in every piece of tech seen in I Am Mother, including the countless sentry droids who patrol the Earth's surface, so it wouldn't have been too difficult for her to wipe out humanity. That's why she's so determined to raise the perfect human so that they can reboot society and start again with higher standards than These are the most popular TV shows on Netflix right nowUpon Woman's intrusion, Daughter starts to suspect that Mother isn't the kind matriarch she first thought and eventually, she discovers that she wasn't the first human raised under the robot's watch. Not only does Daughter find the dusty remains of another girl in the incinerator – one who failed Mother's test in some way – but it's also heavily implied that Woman was raised as an embryo in the bunker, too. Whether that's true or not, we eventually learn that Woman isn't to be trusted either. After they briefly escape to the surface together, Daughter discovers that Woman doesn't live with a community of human survivors like she said. Instead, she lives alone and simply told Daughter that to manipulate her into helping them escape. In yet another even twistier twist, it turns out that Hilary Swank's character isn't the only one controlling people either. Not only did Mother probably engineer the end of the human race, but she's also been manipulating Woman this entire time too. NetflixMother herself reveals this near the end of the movie when one of her droids visits Woman's home and speaks to her using Mother's voice "Funny that you’ve survived so long. As if someone's had a purpose for you. Until now."With an ominous slam of the door, it's clear that Mother then goes on to murder Swank's character. But why would Mother risk losing Daughter by bringing Woman into the mix? As we mentioned before, everything that befalls Daughter is part of an ongoing test to see if she's worthy of leading humanity into a new dawn. Woman was allowed to live as long as she did in order to tempt Daughter into leaving, like the biblical serpent who encouraged Adam and Eve to misbehave and end up leaving the Garden of Eden. When that plan failed upon Daughter's return to the bunker, Woman outlived her usefulness and no longer needed to be kept alive. While Mother might seem evil on the surface, she still doesn't kill Daughter when she returns at the end, because she came back to look after her new brother. By demonstrating her selfless desire to keep the human race alive, Daughter proved that she was worthy and therefore passed Mother's ultimate test "That's what you’ve raised me to do, isn't it? Take care of my family? So let me."NetflixAt this point, Mother could easily remain in control of the bunker thanks to her superior strength and vast army, but instead she concedes control to Daughter, convinced that the embryos are now in safe hands. The robot declares, "I was raised to value human life above all else," and now that Daughter has proven herself to be a worthy guardian to humanity, Mother is no longer needed doesn't stop the murderous mecha from offering her help – "If you ever need to find me..." – but Daughter is quick to interrupt Mother by shooting her CPU before falling to the ground, crying. More a symbolic act of defiance than a legitimate attempt to 'defeat' Mother once and for all, this marks the end of the experiment. Mother's consciousness still exists in the other droids outside, but she's now giving Daughter the freedom to raise the embryos how she sees fit, without any further very last scene echoes the beginning of the movie, but this time round, it's Daughter who sings the song 'Baby of Mine' to her new charge, just like Mother once sang to her as a you predicted things would turn out this way or not, I Am Mother is still a worthy addition to Netflix's growing library of genre offerings. Let’s just hope that Daughter turns out to be this worthy as well or humanity might face another apocalypse sooner rather than later. I Am Mother is now available to watch on up-to-the-minute entertainment news and features? Just hit 'Like' on our Digital Spy Facebook page and 'Follow' on our digitalspy Instagram and Twitter teaching in England and South Korea, David turned to writing in Germany, where he covered everything from superhero movies to the Berlin Film Festival. In 2019, David moved to London to join Digital Spy, where he could indulge his love of comics, horror and LGBTQ+ storytelling as Deputy TV Editor, and later, as Acting TV Editor. David has spoken on numerous LGBTQ+ panels to discuss queer representation and in 2020, he created the Rainbow Crew interview series, which celebrates LGBTQ+ talent on both sides of the camera via video content and longform reads. Beyond that, David has interviewed all your faves, including Henry Cavill, Pedro Pascal, Olivia Colman, Patrick Stewart, Ncuti Gatwa, Jamie Dornan, Regina King, and more — not to mention countless Drag Race legends. As a freelance entertainment journalist, David has bylines across a range of publications including Empire Online, Radio Times, INTO, Highsnobiety, Den of Geek, The Digital Fix and Sight & Sound. LinkedIn

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